Jason Statham is quintessential Statham as Phil Broker, bringing his stoic charisma and martial arts ability to be used perfectly in this film as the steadfast protagonist. The difference between Homefront and its inferior counterparts is Homefront focuses on the story and the characters and the creative direction of Gary Fleder never veers into nonsensical excess. Sylvester Stallone, the film's screenwriter and executive producer, who never makes a token egotistical cameo, translates Logan's narrative into an un-caricaturized action-crime-drama, a pride worthy feat. It does not deviate from the formula too much to make it feel forced and contrived, but it has a well formed and original enough plot thanks to the source material from Chuck Logan's original and synonymously titled novel. Homefront has an energy and vibrancy about it, a spark, that revitalizes the potentially stagnant action film type. Unfortunately, his past history and the criminal occurrences of his new residence makes matters more complicated and he must soon use his skills to protect his daughter the only way he knows how. With small town life comes small town trouble, and Broker is quickly thrust into the drama despite his fervent effort to remain impartial and uninvolved. Broker also happens to be a well trained DEA agent who chooses to leave the dangerous action and retire to a small town in Louisiana to care for his daughter.

Phil Broker recently widowed and struggling to raise his 9-year old daughter Maddy the only way a father knows.

But if you squash your preconceived biases that will doom Homefront to failure, you open yourself to watch a supremely entertaining, funny and highly thrilling film. For all intents and purposes, Homefront should be a train wreck of an abomination in film-making. Sylvester Stallone writes the screenplay for the Jason Statham and James Franco led Homefront, and we love it! Yes, you read the right.

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